Seating will be first come, first seated basis This event will be live streamed on the GSAPP YouTube channel. Critical, Curatorial & Conceptual PracticesĪ discussion in celebration of Saidiya Hartman’s Scenes of Subjection: Slavery, Terror, and Self-Making in 19th Century America, co-presented with the Institute for Research in African-American Studies of Columbia University. Disability Services can be reached at 212.854. Please notify us if you need any assistance. **Columbia University makes every effort to accommodate individuals with disabilities. The School of the Arts-Colombia University Institute for the Study of Sexuality & Gender-Columbia University Institute for Comparative Literature & Society-Columbia University Graduate School of Architecture, Planning and Preservation- Columbia University
Presented in co-sponsorship Columbia University, Graduate School of Architecture, Planning and PreservationĬenter or the Study of Ethnicity & Race-Columbia Universityĭepartment of Art History & Archaeology -Columbia University Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. In Scenes of Subjection, Saidiya Hartman’s first book, now revised and expanded-her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. Seating will be first come, first seated basis Online: Event Link sent with Registration Columbia University, Graduate School of Architecture, Planning and Preservation
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